Let us go then, the reserves and I,Editor’s Note: The following lines were found in a battered notebook tucked between two dog-eared copies of Nietzsche on a Victorian standing-desk in the Newcastle flat vacated by Joey Barton last week. They appear to have been composed in the weeks preceding the poet’s transfer to Queens Park Rangers, when the force of impending change first began to disrupt what had previously been the comfortable certitude of his intellectual life.
When the afternoon is spread out against the sky
Like Newcastle etherised upon the league table;
Let us go, through certain half-deserted stands,
The muttering fans
Of Amsterdam,
To restless nights in one-night cheap hotels
And headlines about who our owner sells:
Tweets from followers like a tedious argument
Of insidious intent
To lead you to an overwhelming question. . .
Oh, do not ask, ‘What is it?’
Let us go and make our visit.
In the changing rooms the players wander to and fro
Considering whether to stay or go.
The Tyneside fog that rubs its back upon the window-panes,
The yellow smoke of a cigarette that rubs it muzzle against my name,
Licked its tongue as it denied me a visa,
Lingered upon me as I stood in chains,
And in my cell I woke with a sudden leap,
Upon dreaming of a soft July night,
Of curling frees into the box, then once more fell asleep.Other articles Barton apparently left behind in his haste: notes toward a system of devising Twitter passwords based on Bertrand Russell’s lectures on Logical Atomism, several dried roses pressed in an antique copy of Swinburne, a pack of Arrow collars, Amanda Harrington.
And indeed there will be time
For the yellow smoke of every agents’ meet,
Rubbing its back upon the Mirror’s leak;
There will be time, there will be time
To prepare a face to meet the chairmen that we meet;
There will be a time for podcast and debate,
And time for all the drills and pre-season plans,
The careful low-carb meals upon our plates;
Time for them and time for me,
And time yet for a hundred rumours and revisions,
Before the taking of a player from our team.
In the changing rooms the players wander to and fro
Considering whether to stay or go.
And indeed there will be time
To wonder, ‘Do I dare?’ and, ‘Do I dare?’
Watching Shearer descend the stair,
With a bald spot in the middle of his hair—
[I shall say: ‘How his hair is growing thin!’]
King Kev in his morning coat, collar mounted firmly to the chin,
His necktie rich and modest, giving opinions to ESPN—
[He will say: ’But how the squad is growing thin!’]
Do I dare
Disturb St. James’ Park?
In a minute there is time
For a whispered destination where a player may embark.
For I have known them all already, known them all—
Have known the Carrolls, Nolans, sold too soon,
I have measured out my life among the Toon;
I know the voices crying with the last kick of the ball
Beneath the music of the Geordie tunes.
And how should we resume?
…
Shall I say, I have gone at dusk through narrow streets
And watched the stripes that glimmer on the shirts
Of lonely men in replica kits, leaning out of windows? . . .
I should have bargained for a transfer clause
And scuttled elsewhere with a silent ease.
…
And the players rest so peacefully!
Injuries smoothed by the masseuse’s fingers,
Cramp…tightness…while some malinger,
Stretched on the floor, here beside Danny Guthrie.
Should I, after halftime rubs and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my lip (grown slightly bald) moved to speak and flatter
I am no prophet—and here’s no great matter;
I have seen the moment of our greatness flicker,
And I have seen Mike Ashley grab his coat, and snicker,
And in short, I was afraid.
And would it have been worth it, after all,
To smash some teacups, demoralise the team,
Among the talk of Arsenal, of Manchester United and me,
Would it have been worthwhile,
To have bitten off the matter with a smile,
To have squeezed my frustration into a ball,
To loft it toward some overwhelming question,
To say: ‘I am Barton, whose career was once dead,
Come back to tell you all, I shall tell you all’—
If one, upon opening the paper the next day and reading the line upon the head,
Should say: ‘That is not what I meant at all.
That is not it, at all.’
And would it have been worth it after all,
Would it have been worthwhile,
After promotion and Hughton and the damning tweets,
After Sunderland, after Villa, after scoring five or more—
To follow Kev and Andy out the door?—
It is impossible to say just what I mean
In 140 characters on a computer screen!
Would it have been worth while
If a new player, settling in and kicking around the ball,
Should bring up the transfer window and say:
‘This is not it at all,
This is not what I wanted, at all.’
…
No! I am not Clown Prince Shackleton, nor was meant to be;
Am an English midfielder, one that will do
To fight the hero, end a scene or two,
Control midfield; no doubt, a useful tool,
Temperamental, easy to provoke,
A headstrong but manipulable bloke
To get sent off some Wednesday night in Stoke,
At times, indeed, almost a sort of joke—
Almost, at times, the Fool.
…
Shall I leave this club behind? Do I dare to go for free?
I shall wear an England shirt, and walk out at Wembley.
I have heard the Geordies singing “Drunk and Disorderly.”
I do not think they will sing to me.
I have seen them in the stands forming waves,
Combing the body hair on their bare backs,
When the wind blows the rains white and black.
We have risen from the chambers of the league,
Away from the Eagles, Sky Blues and Ipswich Towns,
Till Ashley’s choices break us, and we go down.
Peter Smith takes inspiration from Vicente Del Bosque’s moustache to write about football at The Wisdom of Tache and can be followed on Twitter @TacheyDelBosque.
Read More: Joey Barton, Middlebrow Avant-Garde Poetry
by Peter Smith · August 29, 2011
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Barton’s character actually epitomises the grim, pessimistic view of modernity and city life expressed by Eliot. I enjoyed this.
Started off thinking this was silly, by the end I could see Barton having these thoughts, could see him as this melancholic tragic hero, could see the wind blowing the rains white and black.
And the Middlebrow Avant-Garde Poetry tag is always a winner.
I wanted to hate this. I really did.
But lobotics is absolutely right. By the end, it’s about perfect.
You set yourself a ludicrously high bar, and then it sails through. This is astonishing.
Fantastic …..loved every line.
If I could start the slow clap, I would.
Well that was 100% better than what I believed I was about to read. Well done.
Thanks for all the kind comments. Delighted to see people enjoying it.
I’m taking all these “I expected this to be terrible but it was actually great!” comments as a vote of no confidence in my editorship.
Possibly, although I would suggest it’s more of a vote of no confidence in Mr Barton.
I don’t even know what I expected but it wasn’t this. I’d join Shavit in his slow clap and speed it up enthusiastically. Superb.
Was drawn into this with ease. A pleasure to read and I could picture the scenes in my mind as I did.
Loved it.
@rdm Yes. I like that interpretation. Let’s go with this.
Yeah. You’re all right, Mr Smith.
Oh, and if Messire Barton sees out all four seasons of his deal at QPR I will get ‘Geordie Messiah’ tattooed on my neck.
Brilliant. I couldn’t decide whether to narrate this in my head with T.S. Eliot’s questionable british accent or that of J Anthony Barton himself… Oh well. Definitely worth my time.
Fantastic. FANTASTIC.
Not something I’m usually in to but this was alright. Fine then, it’s super.
(Although I do love how tweeting the odd Orwell quote confers instant intellectual respectability. What is it about Barton that continues to intrigue people?)
@Fast Eddie He’s like Frankenstein, the modern Prometheus. Brute instincts combined with a sullen philosopher’s mien; he’ll crush a larynx one second, then cuddle a kitten the next; he’ll quote Shakespeare then glass you.
“It will have blood, they say; Blood will have blood.”
His spoutings are more interesting than the usual load of clichés and platitudes that footballers are taught to produce.
He’s still a thug on the pitch though, and I hope his campaign of brutalisation is reined in.
@Benderinho Yes, he has definitely carved out his own niche for himself in the world of football. He seems to be a one-man battle between the body’s primal urges and the mind’s quest for self-actualization.
…Or maybe he’s just a footballer who has realised the capabilities of Twitter and how it can help him change his public image. Either way, he intrigues me.
@Benderinho: @Benderinho: I think that’s the key: “the usual load of clichés and platitudes that footballers are taught to produce.”
Isn’t Barton simply interesting because he doesn’t fit the (false) stereotype of the ‘thick footballer’? When you assume that all footballers are braindead morons then it’s natural to hail the odd public flash of education (interestingly, not simply intelligence) as the product of an intellectual. David James often gets treated in a similarly patronising way: behold a footballer capable of tying his own shoelaces!
Now Barton clearly has a certain intensity about him*, reminiscent of a certain R Keane, but I’ve yet to be convinced by the recent rush to proclaim him as some sort a philosopher-footballer. It’s something that really only stands up if you assume that the rest of the footballing fraternity is a cultural desert.
*And there’s definitely that same fascination (slightly blinkered, I’d suggest) with the contrast between obvious intelligence and near-primal violence
Clearly, the FA needs to turn its attention to ridding English football of its number one flaw – effete overintellectualism.
This was absolutely brilliant. As a Barton fan and a T.S. Eliot fan, I wish I had thought of this myself. I probably would have at some point in time after the checkered flag is dropped at Homestead in November if you hadn’t thought of it first.
Every line of this is The Love Song Of J Alfred Prufruck by TS Elliot