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	<title>Comments on: The Beautiful Game, Part Two</title>
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	<link>http://www.runofplay.com/2008/09/01/the-beautiful-game-part-two/</link>
	<description>Attacking Football</description>
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		<title>By: Sunday Selection #3 &#171; Across The Synapse</title>
		<link>http://www.runofplay.com/2008/09/01/the-beautiful-game-part-two/#comment-10946</link>
		<dc:creator>Sunday Selection #3 &#171; Across The Synapse</dc:creator>
		<pubDate>Sun, 26 Sep 2010 18:36:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.runofplay.com/?p=1332#comment-10946</guid>
		<description>[...] Why do we talk about the beautiful game? (Part one, Part two) [...]</description>
		<content:encoded><![CDATA[<p>[...] Why do we talk about the beautiful game? (Part one, Part two) [...]</p>
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		<title>By: The Un-Choice of Virtue or Effectiveness, Or What I&#8217;ll Be Cheering For At The World Cup Final &#171; Hashiell Dammit</title>
		<link>http://www.runofplay.com/2008/09/01/the-beautiful-game-part-two/#comment-10205</link>
		<dc:creator>The Un-Choice of Virtue or Effectiveness, Or What I&#8217;ll Be Cheering For At The World Cup Final &#171; Hashiell Dammit</dc:creator>
		<pubDate>Thu, 08 Jul 2010 22:24:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.runofplay.com/?p=1332#comment-10205</guid>
		<description>[...] every so often an individual or a group of people manage to do something crazy. As Phillips himself has noted previously: Compared to other popular sports, there are many forces [in soccer] interacting simultaneously and [...]</description>
		<content:encoded><![CDATA[<p>[...] every so often an individual or a group of people manage to do something crazy. As Phillips himself has noted previously: Compared to other popular sports, there are many forces [in soccer] interacting simultaneously and [...]</p>
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		<title>By: &#8220;The Rhetoric of Artistic Endeavor&#8221; - The Run of Play</title>
		<link>http://www.runofplay.com/2008/09/01/the-beautiful-game-part-two/#comment-8682</link>
		<dc:creator>&#8220;The Rhetoric of Artistic Endeavor&#8221; - The Run of Play</dc:creator>
		<pubDate>Mon, 05 Apr 2010 21:32:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.runofplay.com/?p=1332#comment-8682</guid>
		<description>[...] fine. The tension between utility and aesthetics in football is a fascinating topic; I can&#8217;t quite embrace it as the basis of a column that [...]</description>
		<content:encoded><![CDATA[<p>[...] fine. The tension between utility and aesthetics in football is a fascinating topic; I can&#8217;t quite embrace it as the basis of a column that [...]</p>
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		<title>By: Statistics and the Form of the Soccer Match - The Run of Play</title>
		<link>http://www.runofplay.com/2008/09/01/the-beautiful-game-part-two/#comment-7840</link>
		<dc:creator>Statistics and the Form of the Soccer Match - The Run of Play</dc:creator>
		<pubDate>Thu, 08 Oct 2009 23:38:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.runofplay.com/?p=1332#comment-7840</guid>
		<description>[...] a new kind of import to the game&#039;s moments of beauty (I&#039;ve written more about this here, here, and here, among other places). Further, the fact that matches only happen once and the fact that [...]</description>
		<content:encoded><![CDATA[<p>[...] a new kind of import to the game&#39;s moments of beauty (I&#39;ve written more about this here, here, and here, among other places). Further, the fact that matches only happen once and the fact that [...]</p>
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		<title>By: Statitics and the Beautiful Game - The Run of Play</title>
		<link>http://www.runofplay.com/2008/09/01/the-beautiful-game-part-two/#comment-3853</link>
		<dc:creator>Statitics and the Beautiful Game - The Run of Play</dc:creator>
		<pubDate>Wed, 28 Jan 2009 00:20:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.runofplay.com/?p=1332#comment-3853</guid>
		<description>[...] allow us to experience its specific kind of beauty. Without having statistics in mind at all, I wrote about this in September: So what does football &quot;mean&quot;? One way to answer the question is to [...]</description>
		<content:encoded><![CDATA[<p>[...] allow us to experience its specific kind of beauty. Without having statistics in mind at all, I wrote about this in September: So what does football &#34;mean&#34;? One way to answer the question is to [...]</p>
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		<title>By: Brian</title>
		<link>http://www.runofplay.com/2008/09/01/the-beautiful-game-part-two/#comment-1877</link>
		<dc:creator>Brian</dc:creator>
		<pubDate>Tue, 02 Sep 2008 14:10:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.runofplay.com/?p=1332#comment-1877</guid>
		<description>That&#039;s exactly right, Alan; it&#039;s precisely the simplicity of the rules that creates the complexity on the pitch. Is that relation unique to football, or is there a general principle here? To make a comparison, American football is also quite complex for a novice viewer to follow, but in that case it&#039;s because the rules are so elaborate, and the choices available to players in different positions diverge so widely. &lt;em&gt;Who&#039;s&lt;/em&gt; an eligible receiver? &lt;em&gt;When&lt;/em&gt; can the cornerback initiate contact? Etc.

The freedom players have in soccer is a very different thing, and looms large in the state of things I&#039;ve been trying to describe in these posts.</description>
		<content:encoded><![CDATA[<p>That&#8217;s exactly right, Alan; it&#8217;s precisely the simplicity of the rules that creates the complexity on the pitch. Is that relation unique to football, or is there a general principle here? To make a comparison, American football is also quite complex for a novice viewer to follow, but in that case it&#8217;s because the rules are so elaborate, and the choices available to players in different positions diverge so widely. <em>Who&#8217;s</em> an eligible receiver? <em>When</em> can the cornerback initiate contact? Etc.</p>
<p>The freedom players have in soccer is a very different thing, and looms large in the state of things I&#8217;ve been trying to describe in these posts.</p>
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		<title>By: Alan Jacobs</title>
		<link>http://www.runofplay.com/2008/09/01/the-beautiful-game-part-two/#comment-1870</link>
		<dc:creator>Alan Jacobs</dc:creator>
		<pubDate>Mon, 01 Sep 2008 22:01:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.runofplay.com/?p=1332#comment-1870</guid>
		<description>These are wonderful posts, Brian, but maybe it&#039;s worth noting that the game is complex in one sense but simple in others. For instance, the &lt;em&gt;rules&lt;/em&gt; of American football or baseball or basketball are much more numerous and more complex than those of football. But the &lt;em&gt;actions&lt;/em&gt; that a given player can take at any given time are far fewer. In football, a player — especially the player with the ball — can at any moment do almost anything. Think about one of my favorite players, Cesc Fabregas, with the ball at his feet thirty meters from the opponent&#039;s goal; think about how many options present themselves to him, and how the geometry of those options is constantly altering as players move about the pitch. This is why Cruyff was called &quot;Pythagoras in boots,&quot; right? -- because of his mastery of this ever-changing geometry. One ball, almost no equipment, few rules, a pitch with few marks on it — and yet at almost every moment a dizzying range of possibility.</description>
		<content:encoded><![CDATA[<p>These are wonderful posts, Brian, but maybe it&#8217;s worth noting that the game is complex in one sense but simple in others. For instance, the <em>rules</em> of American football or baseball or basketball are much more numerous and more complex than those of football. But the <em>actions</em> that a given player can take at any given time are far fewer. In football, a player — especially the player with the ball — can at any moment do almost anything. Think about one of my favorite players, Cesc Fabregas, with the ball at his feet thirty meters from the opponent&#8217;s goal; think about how many options present themselves to him, and how the geometry of those options is constantly altering as players move about the pitch. This is why Cruyff was called &#8220;Pythagoras in boots,&#8221; right? &#8212; because of his mastery of this ever-changing geometry. One ball, almost no equipment, few rules, a pitch with few marks on it — and yet at almost every moment a dizzying range of possibility.</p>
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